Welcome to 5 Whistler Square, where London elegance is reimagined for the 21st century. Hidden behind the stately façades of Belgravia’s most prestigious postcode, a new classic emerges—tailor-made for the modern family who dreams in art, breathes design, and desires serenity in the centre of the capital.
Newly unveiled within the lush expanse of Chelsea Barracks, this £55 million townhouse is more than just a home. It’s a living gallery, a love letter to craft, calm, and cultivated living. Designed by Banda, the design house led by Edoardo Mapelli Mozzi, the five-storey residence radiates a kind of quiet luxury that doesn’t need to shout to be heard.
From the moment you step inside, there’s an audible hush—as if the home itself knows it’s something special.
A Home that Whispers, Never Screams
Spanning 13,030 square feet, 5 Whistler Square blends Georgian grandeur with contemporary clarity. Banda’s approach doesn’t chase trends—it curates legacies. Here, antique brass wall lamps become sculpture. Sofas are not just seating—they’re heirlooms. Even the plaster walls seem to breathe history.
This is not minimalist; it’s maximal mindfulness.
The home’s architectural rhythm flows from light-filled family rooms to moody studies, via floating staircases and softly lit passageways. Each room is an experience. Each space has a soul.
In the living area, natural fabrics wrap around the curved lines of Charlotte Biltgen’s Ecume sofa, grounded by Banda’s bespoke micro-cement coffee table. A sculptural TV cabinet, clad in Alpi-Sottsass Grey, acts as both media centre and modern art installation.
Banda’s belief in emotional resonance is visible throughout. “We wanted this beautiful, light-filled home to feel gallery-like,” says Mapelli Mozzi. “Every room takes one on a journey.”
Beneath the Surface, Above Expectation
The lower ground floor reveals the heart of the home—a kitchen and dining space overlooking a landscaped private garden. It’s tactile, sensual, and designed for both lingering mornings and late-night conversation.
A facetted oak table and Henning Kjærnulf’s lambswool-wrapped chairs sit beneath a white plaster pendant by Garnier et Linker, casting soft shadows over the space like brushstrokes on canvas. A hidden television glows discreetly behind American walnut cabinetry.
